Text Size ButtonsDecrease text sizeIncrease text size
US founding fathers and revolutionary fighters are shown in period dress, depicted by multiracial hip hop stars.

Show Description

From the creative team behind the Tony Award-winning In The Heights comes a wildly inventive new musical about the scrappy young immigrant who forever changed America: Alexander Hamilton. 

Tony and Grammy Award winner Lin-Manuel Miranda
wields his pen and takes the stage as the unlikely founding father determined to make his mark on a new nation as hungry and ambitious as he is.


From bastard orphan to Washington's right hand man, rebel to war hero, loving husband caught in the country's first sex scandal to Treasury head who made an untrusting world believe in the American economy, HAMILTON is an exploration of a political mastermind.

George Washington, Thomas Jefferson, Eliza Hamilton, and lifelong Hamilton friend and foe, Aaron Burr, all attend this revolutionary tale of America’s fiery past told through the sounds of the ever-changing nation we’ve become.

Tony Award winner Thomas Kail directs this new musical about taking your shot, speaking your mind, and turning the world upside down.

Reviews

Yes, it really is that good.

At this point, it would be almost a relief to report that “Hamilton” — the musical that opened at the Richard Rodgers Theater on Thursday night — has shrunk beneath the bloat of its hype. Since it was first staged at the Public Theater this year, this brave new show about America’s founding fathers has been given the kind of worshipful press usually reserved for the appearances of once-in-a-lifetime comets or the births of little royal celebrities. (August, 2015)

Continue Reading



5 STARS! History ticks to a syncopated beat in Lin-Manuel Miranda’s jubilant, overflowingly rich Hamilton. And just as syncopation achieves its energizing effect by disturbing the expected flow, so Miranda’s biomusical on founding father Alexander Hamilton is a rhythm-and-rhyme intervention for American iconograph..

Continue Reading



I don’t mean to suggest that you’re unpatriotic if you aren’t moved by Hamilton, Lin-Manuel Miranda’s sensational new hip-hop biomusical at the Public. But in order to dislike it you’d pretty much have to dislike the American experiment. The conflict between independence and interdependence is not just the show’s subject but also its method: It brings the complexity of forming a union from disparate constituencies right to your ears.

Continue Reading