All My Sons

Arthur Miller's All My Sons. Roundabout Theatre Company

Show Details

Performance Schedule

TUESDAY thru SATURDAY @ 8 PM
WEDNESDAY & SATURDAY @ 2 PM
SUNDAY @ 3 PM

Run Dates

April 04, 2019 - June 30, 2019

Upcoming Scheduled Events

No scheduled performances found.

Running Time

2:20 hrs

Read Reviews Visit Show Website

Show Description

Annette Bening, Tracy Letts, and Benjamin Walker catapult Arthur Miller’s All My Sons to the top of every theatergoer’s must-see list, in a production New York Stage Review calls “as close to perfect as it can be.”

Miller’s drama about the long-hidden secret that threatens to tear apart a Midwest family in the aftermath of WWII comes to blazing new life in a shattering new staging by Tony winner Jack O’Brien

Roundabout has an extensive history with Arthur Miller, most recently presenting an acclaimed revival of The Price (2017), After the Fall (2004) and The Man Who Had All the Luck (2002) on the American Airlines stage

Tickets


34 Shows fit your search criteria

Standard Tickets


April 04, 2019 - June 30, 2019

Wheelchair seating, assistive listening devices, loopSystem, handheld captions, and prerecorded audio description are always available.

For Show Times, see Performance Schedule above.


Wheelchair

Use the standard ticket button to purchase tickets.

Hearing: Assistive Listening Devices

Use the standard ticket button to purchase tickets.

Hearing: Loop Systems

Use the standard ticket button to purchase tickets.

Closed Captioning

Use the standard ticket button to purchase tickets.

Audio Description: Pre-recorded

Use the standard ticket button to purchase tickets.

Theatre Details

Address

American Airlines Theatre
227 W 42nd St
New York, NY 10036

View Larger Map

Public Transportation

By Subway: Centrally located near the 1, 2, 3, 7, N, R, Q, A, C, E, and S lines at 42nd Street Times Square.

By Bus: Six buses stop near the theatre. Take the M6, M7, M10, M16, M20, or M104.

Additional Accessibility Details

Wheelchairs: Designated, flexible wheelchair seating area behind the last row of the center orchestra and the last row of the mezzanine

Seating: Seats 740. Orchestra, 1st floor; Mezzanine, 2nd and 3rd Floor; 5th floor Penthouse lobby open to the public. 4th floor private. Lower lobby main public facilities and lounge.

Elevator\Escalator: Elevators are available to all levels of the theatre.

Parking: An Icon parking garage is located at 250 west 43rd between Broadway and 8th Avenue.

Entrance: Primary entrance from street, through double doors into outer lobby with box office, through double doors into main lobby, through 2 sets of double doors (each 31") into Orchestra.

Box Office: 227 West 42nd St between 7th and 8th Avenues. Hours: 10am - 8pm: Tuesday through Saturday. 10am - 6pm Sunday and Monday. The box office closes at 6pm on any evening with no performance.

Restroom: Accessible restrooms on Orchestra level only

Water Fountain: Several accessible water fountains are located throughout the theatre, all reachable by elevator.

Telephone: There is a secure cell phone charging station on the 5th floor, reachable by elevator. The station is complimentary to use but requires a credit card to “unlock” devices. The station is 69” high.

Assisted Listening System: Assisted listening devices available: Infrared headsets free at coatcheck. A photo ID is required to check out a headset.

Folding Armrests: Six (6) seats are available with folding armrests.

Reviews (3)

Simultaneously a valentine to the kind of naturalism that the American theater does best, and a reminder that the virtues of the proverbial “well-made play” when impeccably realized are never passé, this is a deeply moving and finely wrought production."

CONTINUE READING THE BROADWAY NEWS REVIEW

One of the dramatic highlights of the Broadway season, the production features outstanding performances from a stellar cast headed by Annette Benning, Tracy Letts and Benjamin Walker, with impeccable direction by Jack O'Brien.

CONTINUE READING THE HOLLYWOOD REPORTER

...it still packs a wallop all its own, especially in this wonderfully cast, honestly staged and beautifully presented production. It even makes you rethink one of the lead characters in a way that makes the play’s ending even more harrowing

CONTINUE READING THE VARIETY REVIEW