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The cast of August Wilson's Jitney are posed next to a yellow license plate bearing the show's title.

Show Description

Only one of two-time Pulitzer Prize winner August Wilson’s plays in the author’s masterful The American Century Cycle has never been seen on Broadway - until now.

Set in 1977 in the Hill District of Pittsburgh, this richly textured piece follows a group of men trying to eke out a living by driving unlicensed cabs, or jitneys. When the city threatens to board up the business and the boss’ son returns from prison, tempers flare, potent secrets are revealed and the fragile threads binding these people together may come undone at last.



It’s hard to believe that August Wilson’s Jitney has been around for more than 30 years and is only now making its Broadway debut. But given the subjects dominating the current public discourse, the Pulitzer winner’s intelligent, thought-provoking piece couldn’t have bowed at a better time. By turns hilarious and devastating, this is an emotionally bruising gem of a play.

---Entertainment Weekly

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In Ruben Santiago-Hudson’s vital revival of a 1982 play only now making its Broadway debut, words take on the shimmer of molten-gold notes from the trumpets of Louis and Miles.How sweet the sound. And how sorrowful and jubilant, as life in a storefront taxi company in an African-American neighborhood in Pittsburgh comes to feel like a free-form urban concerto, shaped by the quick-witted, improvisatory spirit that makes jazz soar.

---New York Times

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It’s hard to know whether the vehicles driven by the unlicensed cabbies in August Wilson’s 1977 ensemble drama are in AAA-certified top shape. These Pittsburgh hacks are themselves rough around the edges, and their rides could probably use a new carburetor here, a fresh paint job there. However, the show they occupy is built to last and moves like a dream. Jitney last played New York in 2000 and makes its long-awaited Broadway debut to start 2017 right: a soul-sustaining, symphonic piece by a late, great master, about fathers and sons, workers and their dreams—deliverance for audiences hungry for soaring language and tough truths.

---TimeOut NY

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