Beetlejuice

Thalia and Melpomene

Show Details

Performance Schedule

TUESDAY & THURSDAY @ 7 PM
WEDNESDAY, FRIDAY &  SATURDAY @ 8 PM 
WEDNESDAY & SATURDAY @ 2 PM
SUNDAY @ 3 PM

Run Dates

April 08, 2022 - Open Run

Upcoming Scheduled Events

No scheduled performances found.

Running Time

2:30 hrs

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Show Description

It’s showtime, folks! The ghost-with-the-most comes to the stage in this edgy and irreverent musical comedy based on Tim Burton’s dearly beloved film. 

BEETLEJUICE tells the story of Lydia Deetz, a strange and unusual teenager obsessed with the whole “being dead thing.” Lucky for Lydia, her new house is haunted by a recently deceased couple and Beetlejuice, a delightful demon with a real zest for life. When Lydia calls on Beetlejuice to scare away anyone with a pulse, this double-crossing specter shows his true stripes, unleashing a (Nether)world of pandemonium, and the biggest sandworm Broadway has ever seen. And under its uproarious surface (six feet under, to be exact), it’s a remarkably touching show about family, love, and making the most of every Day-O!

Directed by Alex Timbers (Moulin Rouge!), with an irreverent book, an astonishing set, and a score that will have you tapping your feet long after you’ve shuffled off this mortal coil, Beetlejuice is a must-see spectacular that will “Dazzle The Eyes" (New York Post).
Casting to be announced soon!

COVID Safety Information:
Broadway is committed to the health and safety of all members of its community—theatre employees, production staff, cast, and audience members. To ensure the safety of everyone in the theatre, the following policies will be in place for performances through October 31, 2021:
MASKS REQUIRED: All guests must wear a properly fitting mask over the nose and mouth in the theatre except when eating or drinking in designated areas.
VACCINATIONS REQUIRED: All guests must be fully vaccinated to enter the theatre and must present digital or physical proof at the door.
Children under 12 and people with a medical condition or closely held religious belief that prevents vaccination may show proof of a negative COVID-19 test.

Tickets


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Standard Tickets


April 08, 2022 - Open Run

Wheelchair seating, assistive listening devices, loopSystem, handheld captions, and prerecorded audio description are always available.

For Show Times, see Performance Schedule above.


Wheelchair

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Hearing: Assistive Listening Devices

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(212) 582-7678
Hearing: Loop Systems

Personal Induction Loops

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Closed Captioning

Captioning is available on your personal device via the GalaPro app or at the theatre with valid ID

Use the standard ticket button to purchase tickets.

Audio Description: Pre-recorded

AD is available on your personal device via the GalaPro app or at the theatre with valid ID

Use the standard ticket button to purchase tickets.

Theatre Details

Address

Marquis Theatre
1535 Broadway
New York City, NY 10036

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Public Transportation

By Bus: M104, M10, M27/M50, M6, M7, or M42 bus.

By Subway: 1, 2, 3, 7, 9, N, Q, R, or W train to Times Square, walk north along Broadway to the theatre  A, C, or E to 42nd St walk north to 45th St and east to the theatre.

Additional Accessibility Details

Wheelchairs: Accessible seating available at the Box Office only.

Elevator\Escalator: There are both elevators and escalators at this theatre.

Parking: Hotel and valet parking garages: 45th & 46th Sts.

Curb Ramps: SW corner of Broadway & 46th St.; SE corner of 8th Ave. & 46th St.; NW corner of Broadway & 45th St.

Entrance: Door (32") to hotel lobby with elevators. Theater entrance third floor of hotel. Ramp to wheelchair seating. Every row in theater on a different step.

Box Office: Broadway between 45th & 46th Sts. Counter 42".

Restroom: Womens and Mens: Hotel 3rd and 4th floors. Door 47". Stall door 30". Stall 36" x 60". Commode 20". Grab bars.

Water Fountain: Hotel 3rd and 4th floor. Spout 33".8th Floor of Hotel

Telephone: None on premises

Assisted Listening System: Hearing devices available at Box Office. No reservation needed. ID required as deposit. Closed Captioning is also available through the GalaPro app. For more information on GalaPro, check here: https://www.galapro.com/

Visual Assistance: Vision seats can be purchased over the phone (212-382-0100) or in person. Audio Description is also available through the GalaPro app. More information can be found here: https://www.galapro.com/

Folding Armrests: Mobility seats with folding armrests or removable chairs.

Reviews (3)

The Haunted Mansion vibe is on full blast at the Winter Garden, where spooky-carnival pre-show music plays while chartreuse searchlights semi-periodically blind you on your way to your seat and theater staff hawk “It’s showtime!” T-shirts and booze in recognizably striped sippy cups. My usher was sporting a neon-green manicure complete with black-and-white accent nails on each ring finger. (That’s commitment.) Beetlejuice, the rowdy, raunchy musical adapted from Tim Burton’s 1988 horror-comedy, openly embraces the theme park-y aspects of an enterprise like the one it’s engaged in. True to its source material, it’s loud, it’s cheeky, and it’s all about excess. It’s also — thanks in large part to Alex Brightman’s spot-on performance as the incorrigible titular ghoul — a pretty fun time.

CONTINUE READING THE VULTURE REVIEW

The musical’s book, by Scott Brown (a former theater critic, perhaps proving there is indeed life after death) and Anthony King, is clever and rich in sardonic wit, with zippy one-liners detonating like a string of firecrackers almost throughout. The musical is considerably funnier than the movie. (Like many new musicals, “Beetlejuice” is lightly larded with nifty in-jokes referencing classic ones: “Hello, Dolly!” and “Brigadoon” and “Fiddler on the Roof.”)

CONTINUE READING THE BROADWAY NEWS REVIEW

The retooling done since its out-of-town tryout in D.C. — along with a host of others plot twists and character tweaks — gives the latest film-to-musical adaptation fresh snap, surprises and (gasp!) even heart. Sure, the narrative becomes a bit of a cluster-muck in the second act — but mostly it’s just screamingly good fun.

CONTINUE READING THE VARIETY REVIEW