Tina: The Tina Turner Musical

A sparkling gold drawing of Tina Turner with wild hair is shown, next to the logo for Tina, the Tina Turner musical, which is styled like an autograph.

Show Details

Performance Schedule

TUESDAY & THURSDAY @ 7 PM
WEDNESDAY, FRIDAY & SATURDAY @ 8 PM
WEDNESDAY & SATURDAY @ 2 PM
SUNDAY @ 3 PM

Run Dates

July 30, 2019 - Open Run

Upcoming Scheduled Events

No scheduled performances found.

Running Time

2:45 hrs

Read Reviews Visit Show Website

Show Description

From humble beginnings in Nutbush, Tennessee, to her transformation into the global Queen of Rock ‘n’ Roll, Tina Turner didn’t just break the rules, she rewrote them.

This new stage musical, presented in association with Tina Turner herself, reveals the untold story of a woman who dared to defy the bounds of her age, gender and race.

starring Tony Award nominee Adrienne Warren as Tina

Audience Advisory

Adult situations & language

Tickets


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Standard Tickets


July 30, 2019 - Open Run

Wheelchair seating and assistive listening devices are always available.

For Show Times, see Performance Schedule above.


Wheelchair

Use the standard ticket button to purchase tickets.

Hearing: Assistive Listening Devices

Use the standard ticket button to purchase tickets.

Theatre Details

Address

Lunt-Fontanne Theatre
205 W 46th St
New York, NY 10036

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Public Transportation

By Bus: Take the M7, M20, M50, or M104

By Subway: 1,2,3,7,S,N,R,Q,W,A,C,E to 42nd St./Times Square

Additional Accessibility Details

Wheelchairs: There are wheelchair seats in the rear of the Orchestra section.

Seating: All seats require the use of stairs. Accessible tickets are available directly through the Box Office. Call (212) 575-9200 for more information.

Elevator\Escalator: There are no elevators or escalators at this theatre.

Parking: Lot: West of entrance.

Curb Ramps: (1" lip) NW corner of 46th St. & Broadway; NE corner of 46th St. & 8th Ave.

Entrance: Double doors in series: 1st set (each 29", heavy, 1" saddle) into outer lobby; 2nd set (each 26", heavy) into orchestra.

Box Office: Outer lobby. Counter 48".

Restroom: Located on the basement and mezzanine levels. Handicap accessible facility on theater level

Water Fountain: A water fountain is located in the lower lounge. Water is also available at the bar.

Assisted Listening System: Headsets for sound augmentation are available at the theatre, free of charge. Photo identification is required as a deposit. Copper Induction Loop also available.

Visual Assistance: Vision seats in the front of the orchestra for purchase in person, or on the phone.

Folding Armrests: Twelve (12) mobility seats with folding armrests are available for purchase through the box office, in person, or over the phone, plus one companion seat each.

Reviews (3)

The show rests on three pillars: the excellent production, the most galvanizing catalogue in showbiz, and Adrienne Warren. In the first case, Lloyd’s team includes sound designer Nevin Steinberg and a musical team—conductor Nicholas Skilbeck arranging and composing extra music and Ethan Popp doing the orchestrations—who make everything powerful without simply cranking the volume. The second feels undeniable; there’s so much uplift in that theater you can feel the building settle back onto its foundations after the show. And the third? Warren is doing something everybody, everywhere should try to come see

CONTINUE READING THE VULTURE REVIEW

If a single voice, or a single performance, could send a Broadway musical soaring to greatness, “Tina: The Tina Turner Musical” would handily qualify as one of the best musicals to emerge in recent years. Playing the title role, Adrienne Warren, who is blessedly onstage for virtually the whole duration, gives a performance that marries electrifying vocalism, a powerful dynamism and affecting emotional agility. Warren, who created the role in the musical’s West End premiere, is simply incandescent. 

CONTINUE READING THE BROADWAY NEWS REVIEW

The only miracle at this point is that the Lunt-Fontanne’s roof hasn’t taken flight to space, but still the music continues (with a sweet, shared encore with Turner). When Warren does leave the stage to deservedly rapturous applause and cheers we’re blissfully shattered. Warren looks like she could keep on belting.

CONTINUE READING THE DAILY BEAST REVIEW