& Juliet
Show Details
Run Dates
Upcoming Scheduled Events
Running Time
Show Description
Created by David West Read, the Emmy-winning writer from Schitt's Creek, this hilarious hit musical flips the script on the greatest love story ever told. & Juliet asks: What would happen next if Juliet didn’t end it all over Romeo? Get whisked away on a fabulous journey as she ditches her famous ending for a fresh beginning and a second chance at life and love—her way.With every twist of the tale, & Juliet reimagines iconic pop songs you know and love—in ways you’ll never expect. Featuring “Since U Been Gone,” “Larger Than Life,” “…Baby One More Time,” “I Want It That Way,” “It’s Gonna Be Me,” “Roar,” “It’s My Life,” “That’s The Way It Is” and more. The only thing tragic is missing it.
Audience Advisory
Please note the production includes flashing/strobe lighting, loud noises, confetti cannons and pyrotechnics throughout.
Tickets
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Standard Tickets
November 17, 2022 - Open Run
Wheelchair seating, assistive listening devices, loopSystem, handheld captions, and prerecorded audio description are always available.
For Show Times, see Performance Schedule above.
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(833) 274-8497Use the standard ticket button to purchase tickets.
(212) 719-1300Use the standard ticket button to purchase tickets.
(212) 719-1300GalaPro app or handheld device. Call for more info.
Use the standard ticket button to purchase tickets.
(212) 719-1300GalaPro app or handheld device. Call for more info.
Use the standard ticket button to purchase tickets.
(212) 719-1300Theatre Details
Address
Stephen Sondheim Theatre
124 West 43rd Street
New York City, NY 10036
Public Transportation
By Subway: A, C, E, N, Q, R, 1, 2, 3, B, D, F To 42nd St
By Bus: M5, M7, M20, M42, or M104
Additional Accessibility Details
Wheelchair Info: There are six wheelchair accessible seats in the orchestra, and six wheelchair accessible seats in the mezzanine.
Elevator/Escalator: All levels (rear mezzanine, lounge/restrooms, house right box, rear orchestra/bar, & front orchestra/accessible restroom) except the house left box are accessible by elevator.
Entrance: The theatre is underground, however, every level is accessible via elevator. There are no steps into the theatre.
Restroom: Accessible restrooms are located on the second level of the theatre.
Water Fountain: A water fountain is available and water is also available at the bar.
Assisted Listening System: Reservations are not necessary. Drivers license or ID with printed address required as a deposit.
Folding Armrests: Mobility seats with folding armrests available for purchase in person or over the phone.
Reviews (3)
While there is every reason to be skeptical of a Shakespearean jukebox musical, & Juliet makes it work remarkably well. It’s the most fun you’ll have in a Broadway theater right now. ... It is a jukebox, but it’s a smart one, using the songs in deft, humorous and unexpected ways ... The performances are consistently high caliber. ... & Juliet is exactly the show Broadway needs right now: fun, exuberant, supremely joyful, hilarious and excellently performed by a talented and diverse cast.
—Christian Lewis, Variety
The pull-out-all-the-stops sensation you experience with Britney or Katy or MJ, for that matter, is replicated here, with a big finish that would get the heart racing in an arena many times the size of the some 1,000-seat Sondheim.
—Peter Marks, The Washington Post
I’ve stood proudly, even among my colleagues, as a denier of everything that shows like & Juliet typically stand for. So shoot me: I liked it. It felt so wrong; it felt so right. ... In [David West] Read’s telling, Juliet (Lorna Courtney in a blow-you-away performance) doesn’t die but rather wakes up confused and a little emo following Romeo’s suicide. ... Here the show moves into meta territory, introducing Shakespeare’s wife, Anne Hathaway, as the force behind the revision. ... Indeed, it’s Anne who provides most of the wit, not just verbal but philosophical. And it’s [Betsy] Wolfe’s performance—capped with a roof-raising rendition of the Celine Dion hit “That’s the Way It Is”—that gives the show its heart, an organ too often unheard from in musicals entirely focused on the ear.
—Jesse Green, The New York Times